Movies

Jim Jarmusch trivia: 70 facts about the eccentric filmmaker!

Jim Jarmusch is one of the most prolific filmmakers and one with the most diverse list of films!

So, let’s find out some trivia and facts about this filmmaker!

  1. His full name is James Robert Jarmusch
  2. He was born in January 22, 1953
  3. He is an American film director, screenwriter, actor, producer, editor, and composer
  4. He has been a major proponent of independent cinema since the 1980s
  5. Directing such films as Stranger Than Paradise (1984), Down by Law (1986), Mystery Train (1989), Dead Man (1995), Ghost Dog: The Way of the Samurai (1999), Coffee and Cigarettes (2003), Broken Flowers (2005), Only Lovers Left Alive (2013), and Paterson (2016)
  6. Stranger Than Paradise was added to the National Film Registry in December 2002
  7. As a musician, Jarmusch has composed music for his films
  8. And released two albums with Jozef van Wissem
  9. He was born in Cuyahoga Falls, Ohio
  10. He is the middle of three children of middle – class suburbanites
  11. His mother, of German and Irish descent, had been a reviewer of film and theatre for the Akron Beacon Journal before marrying his father
  12. His father was a businessman of Czech and German descent who worked for the B.F. Goodrich Company
  13. She introduced Jarmusch to cinema by leaving him at a local cinema to watch matinee double features while she ran errands
  14. The first adult film he recalls seeing was the 1958 cult classic Thunder Road
  15. The violence and darkness of which left an impression on the seven-year-old Jarmusch
  16. Another B-movie influence from his childhood was Ghoulardi
  17. An eccentric Cleveland television show which featured horror films
  18. Despite his enthusiasm for film, Jarmusch was an avid reader in his youth
  19. And had a greater interest in literature
  20. Which was encouraged by his grandmother
  21. Though he refused to attend church with his Episcopalian parents
  22. Jim Jarmusch credits literature with shaping his metaphysical beliefs
  23. And leading him to reconsider theology in his mid-teens
  24. From his peers he developed a taste for counterculture
  25. And he and his friends would steal the records and books of their older siblings
  26. This included works by William Burroughs, Jack Kerouac, and The Mothers of Invention
  27. They made fake identity documents which allowed them to visit bars at the weekend but also the local art house cinema
  28. Which typically showed pornographic films
  29. But would occasionally feature underground films such as Robert Downey, Sr.’s Putney Swope and Andy Warhol’s Chelsea Girls
  30. At one point, he took an apprenticeship with a commercial photographer
  31. After graduating from high school in 1971, Jarmusch moved to Chicago
  32. He enrolled in the Medill School of Journalism at Northwestern University
  33. After being asked to leave due to neglecting to take any journalism courses, Jarmusch favored literature and art history
  34. He transferred to Columbia University the following year
  35. With the intention of becoming a poet
  36. At Columbia, he studied English and American literature under professors including New York School avant garde poets Kenneth Koch and David Shapiro
  37. At Columbia, he began to write short “semi-narrative abstract pieces”
  38. And edited the undergraduate literary journal The Columbia Review
  39. During his final year at Columbia, Jarmusch moved to Paris for what was initially a summer semester on an exchange program
  40. But this turned into ten months
  41. There, he worked as a delivery driver for an art gallery
  42. And spent most of his time at the Cinémathèque Française
  43. Jim Jarmusch graduated from Columbia University with a Bachelor of Arts degree in 1975
  44. Broke and working as a musician in New York City after returning from Paris in 1976
  45. He applied on a whim to the graduate film school of New York University’s Tisch School of the Arts
  46. Despite his lack of experience in filmmaking, his submission of a collection of photographs and an essay about film secured his acceptance into the program
  47. He studied there for four years
  48. Meeting fellow students and future collaborators Sara Driver, Tom DiCillo, Howard Brookner, and Spike Lee in the process
  49. During the late 1970s in New York City, Jarmusch and his contemporaries were part of an alternative culture scene centered on the CBGB music club
  50. In his final year at New York University, Jarmusch worked as an assistant to the film noir director Nicholas Ray
  51. Who was at that time teaching in the department
  52. In an anecdote, Jarmusch recounted of the formative experience of showing his mentor his first script
  53. Ray disapproved of its lack of action
  54. To which Jarmusch responded after meditating on the critique by reworking the script to be even less eventful
  55. On Jarmusch’s return with the revised script, Ray reacted favourably to his student’s dissent
  56. Citing approvingly the young student’s obstinate independence
  57. Jarmusch was the only person Ray brought to work, as his personal assistant, on Lightning Over Water
  58. A documentary about his dying years on which he was collaborating with Wim Wenders
  59. Ray died in 1979 after a long fight with cancer
  60. A few days afterwards, having been encouraged by Ray and New York underground filmmaker Amos Poe and using scholarship funds given by the Louis B. Mayer Foundation to pay for his school tuition
  61. Jarmusch started work on a film for his final project
  62. The university, unimpressed with Jarmusch’s use of his funding as well as the project itself, promptly refused to award him a degree
  63. Jim Jarmusch rarely discusses his personal life in public
  64. He divides his time between New York City and the Catskill Mountains
  65. He stopped drinking coffee in 1986
  66. The year of the first installment of Coffee and Cigarettes
  67. Although he continues to smoke cigarettes
  68. In a February 2014 interview, Jarmusch stated that he is not interested in eternal life
  69. As there’s something about the cycle of life that’s very important
  70. And to have that removed would be a burden
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Costas Despotakis

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