History

Book Trivia | 100 random trivia & facts about literature [Part 1]

Literature is a collection of written works. We usually read books for our entertainment or for gaining knowledge about a specific topic.

But what is literatute, exactly? And how did it start?

  1. Literature, most generically, is any body or collection of written works
  2. More restrictively, literature refers to writing considered to be an art form or any single writing deemed to have artistic or intellectual value
  3. Literature sometimes deploys language in ways that differ from ordinary usage
  4. Its Latin root literatura/litteratura was used to refer to all written accounts
  5. It derived itself from littera
  6. Littera means a letter or handwriting
  7. The concept has changed meaning over time to include texts that are spoken or sung (oral literature), and non-written verbal art forms
  8. Developments in print technology have allowed an ever-growing distribution and proliferation of written works
  9. This lead to electronic literature
  10. Literature is classified according to whether it is fiction or non-fiction, and whether it is poetry or prose
  11. Fiction can be further distinguished according to major forms such as the novel, short story, or drama
  12. Such works are often categorized according to historical periods or their adherence to certain aesthetic features or genre
  13. Definitions of literature have varied over time: it is a “culturally relative definition”
  14. In Western Europe prior to the 18th century, literature denoted all books and writing
  15. In the Romantic period we can find a more restricted mean of the term, in which it began to demarcate “imaginative” writing
  16. Contemporary debates over what constitutes literature can be seen as returning to older, more inclusive notions
  17. Cultural studies, for instance, takes as its subject of analysis both popular and minority genres, in addition to canonical works
  18. The value judgment definition of literature considers it to cover exclusively those writings that possess high quality or distinction, forming part of the so-called belles-lettres tradition
  19. This sort of definition is that used in the Encyclopædia Britannica Eleventh Edition (1910–11) when it classifies literature as “the best expression of the best thought reduced to writing”
  20. Problematic in this view is that there is no objective definition of what constitutes “literature”
  21. Anything can be literature, and anything which is universally regarded as literature has the potential to be excluded, since value judgments can change over time
  22. The formalist definition is that “literature” foregrounds poetic effects
  23. It is the “literariness” or “poetic” of literature that distinguishes it from ordinary speech or other kinds of writing
  24. Jim Meyer considers this a useful characteristic in explaining the use of the term to mean published material in a particular field
  25. Such writing must use language according to particular standards
  26. The problem with the formalist definition is that in order to say that literature deviates from ordinary uses of language, those uses must first be identified
  27. This is difficult because “ordinary language” is an unstable category, differing according to social categories and across history
  28. Etymologically, the term derives from Latin literatura/litteratura “learning, a writing, grammar,” originally “writing formed with letters,” from litera/littera “letter”
  29. In spite of this, the term has also been applied to spoken or sung texts
  30. Literary genre is a mode of categorizing literature. A French term for “a literary type or class”
  31. However, such classes are subject to change, and have been used in different ways in different periods and traditions
  32. The history of literature is the historical development of writings in prose or poetry that attempt to provide entertainment, enlightenment, or instruction to the reader/listener/observer
  33. As well as the development of the literary techniques used in the communication of these pieces
  34. It is worth noting that not all writings constitute literature
  35. Some recorded materials, such as compilations of data are not considered literature
  36. Literature and writing, though connected, are not synonymous
  37. The very first writings from ancient Sumer by any reasonable definition do not constitute literature
  38. The same is true of some of the early Egyptian hieroglyphics or the thousands of logs from ancient Chinese regimes
  39. Scholars have often disagreed concerning when written record-keeping became more like “literature” than anything else
  40. Moreover, given the significance of distance as a cultural isolator in earlier centuries, the historical development of literature did not occur at an even pace across the world
  41. The problems of creating a uniform global history of literature are compounded by the fact that many texts have been lost over the millennia, either deliberately, by accident, or by the total disappearance of the originating cultur
  42. Such an example is the destruction of the Library of Alexandria in the 1st century BC, and the innumerable key texts which are believed to have been lost forever to the flames
  43. The deliberate suppression of texts and some authors by organisations of either a spiritual or a temporal nature further shrouds the subject
  44. Certain primary texts, however, may be isolated which have a qualifying role as literature’s first stirrings
  45. Very early examples include Epic of Gilgamesh, in its Sumerian version predating 2000 BC, and the Egyptian Book of the Dead written down in the Papyrus of Ani in approximately 1250 BC but probably dates from about the 18th century BC
  46. Ancient Egyptian literature was not included in early studies of the history of literature because the writings of Ancient Egypt were not translated into European languages until the 19th century
  47. Then was when the Rosetta stone was deciphered
  48. Many texts handed down by oral tradition over several centuries before they were fixed in written form are difficult or impossible to date
  49. The core of the Rigveda may date to the mid 2nd millennium BC
  50. The Pentateuch is traditionally dated to the 15th century
  51. Although modern scholarship estimates its oldest part to date to the 10th century BC at the earliest
  52. Homer’s Iliad and Odyssey date to the 8th century BC and mark the beginning of Classical Antiquity
  53. They also stand in an oral tradition that stretches back to the late Bronze Age
  54. Indian śruti texts post-dating the Rigveda, as well as the Hebrew Tanakh and the mystical collection of poems attributed to Lao Tze, the Tao te Ching, date to the Iron Age
  55. It was worth noting that their dating is difficult and controversial
  56. The great Hindu epics were also transmitted orally, likely predating the Maurya period
  57. The Classic of Poetry is the oldest existing collection of Chinese poetry
  58. It is called Shijing
  59. It is comprising 305 works by anonymous authors dating from the 11th to 7th centuries BC
  60. The Chu Ci anthology is a volume of poems attributed to or considered to be inspired by Qu Yuan’s verse writing
  61. Qu Yuan is the first author of verse in China to have his name associated to his work
  62. It is also regarded as one of the most prominent figures of Romanticism in Chinese classical literature
  63. The first great author on military tactics and strategy was Sun Tzu
  64. Sun Tzu’s The Art of War remains on the shelves of many modern military officers
  65. The book’s advice has been applied to the corporate world as well
  66. Philosophy developed far differently in China than in Greece
  67. Rather than presenting extended dialogues, the Analects of Confucius and Lao Zi’s Tao Te Ching presented sayings and proverbs more directly and didactically
  68. The Zhuangzi is composed of a large collection of creative anecdotes, allegories, parables, and fables
  69. It is considered a masterpiece of both philosophical and literary skill
  70. It has significantly influenced writers and poets for more than 2000 years from the Han dynasty to the present
  71. Among the earliest Chinese works of narrative history, Zuo Zhuan is a gem of classical Chinese prose
  72. This work and the Shiji or Records of the Grand Historian, were regarded as the ultimate models by many generations of prose stylists in ancient China
  73. The books that constitute the Hebrew Bible developed over roughly a millennium
  74. The oldest texts seem to come from the eleventh or tenth centuries BCE, whilst most of the other texts are somewhat later
  75. They are edited works, being collections of various sources intricately and carefully woven together
  76. The Old Testament was compiled and edited by various men over a period of centuries
  77. Many scholars concluding that the Hebrew canon was solidified by about the 3rd century BC
  78. The works have been subject to various literary evaluations, both secular and religious
  79. Ancient Greek society placed considerable emphasis upon literature
  80. Many authors consider the western literary tradition to have begun with the epic poems The Iliad and The Odyssey
  81. This examples remain giants in the literary canon for their skillful and vivid depictions of war and peace, honor and disgrace, love and hatred
  82. Notable among later Greek poets was Sappho
  83. She defined, in many ways, lyric poetry as a genre
  84. A playwright named Aeschylus changed Western literature forever when he introduced the ideas of dialogue and interacting characters to playwriting
  85. In doing so, he essentially invented “drama”
  86. His Oresteia trilogy of plays is seen as his crowning achievement
  87. Other refiners of playwriting were Sophocles and Euripides
  88. Sophocles is credited with skillfully developing irony as a literary technique, most famously in his play Oedipus Rex
  89. Euripedes, conversely, used plays to challenge societal norms and mores
  90. This became a hallmark of much of Western literature for the next 2,300 years and beyond
  91. His works such as Medea, The Bacchae and The Trojan Women are still notable for their ability to challenge our perceptions of propriety, gender, and war
  92. Aristophanes, a comic playwright, defines and shapes the idea of comedy almost as Aeschylus had shaped tragedy as an art form
  93. Aristophanes’ most famous plays include the Lysistrata and The Frogs
  94. Philosophy entered literature in the dialogues of Plato
  95. Plato converted the give and take of Socratic questioning into written form
  96. Aristotle, Plato’s student, wrote dozens of works on many scientific disciplines
  97. His greatest contribution to literature was likely his Poetics
  98. This lays out his understanding of drama
  99. It thereby establishes the first criteria for literary criticism
  100. John’s Book of Revelation, though not the first of its kind, essentially defines apocalypse as a literary genre

Here you can find Part 2.

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Costas Despotakis

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